For the first time, on the road north of Tampico,
I felt the life sliding out of me,
a drum in the desert, harder and harder to hear.
I was seven, I lay in the car
watching palm trees swirl a sickening pattern past the glass.
My stomach was a melon split wide inside my skin.
“How do you know if you are going to die?”
I begged my mother.
We had been traveling for days.
With strange confidence she answered,
“When you can no longer make a fist.”
Years later I smile to think of that journey,
the borders we must cross separately,
stamped with our unanswerable woes.
I who did not die, who am still living,
still lying in the backseat behind all my questions,
clenching and opening one small hand.
naomi shihab nye
This review was originally published at Plougshares on 8.15.17
Odd and delightful, A Twenty Minute Silence Followed By Applause is an artful character study, entertaining portrait, and comprehensive investigation of a great modern myth.
full review here
Out of the blue, I say, I’m from the state of Texas.
What’s that supposed to mean?
I know my son is gonna survive these ass-whoopings no matter how many of them there are. But when it’s five against one and there’s not a grown-up to intervene, I’m gonna instruct Dev to pick up a rock or a stick and leave a mark on somebody. Let’s hope it’s not your kid.
My uncle’s a lawyer, she says.
My daddy’s Pete Karr, I say, and hang up.
Rumpus: There are more events to be had, in Canada and abroad, but what are some lessons that you’ve learned while touring for this book?
1) Teach people how to say your first and last names before they go up to a microphone.
2) Sit up straight at live events.
3) One glass of wine is not enough, three is too many, but weirdly enough, five is perfect.
the one & only! full Q&A over at the rumpus
This review was originally published at Ploughshares on 7.14.17
Let’s romanticize purple. Let’s use it when something is so maudlin that it becomes gaudy, to describe a thing that contains copious amounts of weltschmerz. Let’s have this consensus: purple is not the way you (should) want your work to be described. But there are times for sadness and severity and all things bleak, and what do we do then?
Luna Miguel might not have solutions but Stomachs reminds us that melancholy is not always destructive. Translated from the Spanish by Luis Silva and published by Sacramento indie Scrambler Books, Stomachs is Miguel’s first poetry collection available in English. While some covers mean to obfuscate, the design here is blunt—even belligerent, gnarly and grotesque. In a reproduction reminiscent of old-fashioned film, the same image is produced over and over: a naked woman splitting herself open at the abdomen, blood stains trekking toward her navel. It announces that this collection is not for readers seeking cute haikus about cats, or the heartbreak that would rather focus on coffee mugs left in kitchen sinks. This is the ugly kind.
full review here
What I really want
is the resurrection of everyone
I ever loved
I will put them in a room
and never go inside
Can you understand being alone so long
you would go out in the middle of the night
and put a bucket into the well
so you could feel something down there
tug at the other end of the rope?